Writing Metrics for July 20 through July 24, 2011

Having inadvertently deleted my Writing Metrics entry for July 20-23, I can now triumphantly post my Writing Metrics for July 20-24 by saying I wrote more than 1000 words, and look really good, right? But only if I'm dishonest with myself. I wrote 1000+ words yesterday, but none at all in the preceding days.

I've started reading Deadline, which is just as good as Feed was (I believe my review of the latter book will appear on Fantasy Literature tomorrow). I also have I Know Why the Caged Bird Sings lined up for a very close reading, intended to inform my own attempts at memoir/autobiography, on the advice of Marta Randall, who heads up my writing group, and my husband, Fred White, who taught writing for almost 40 years and is the author of LifeWriting: Drawing from Personal Experience to Create Features You Can Publish.

Moving changed our books into a much different configuration, which is increasing the temptation to do nothing but read. Books that used to be more or less hidden behind my desk are now almost within arms-reach of where I sit when working, and the temptation to grab the latest Michael Connelly (well, actually a few back in his series, to tell the truth) is almost overwhelming. I could sure go for a two-week long eat/read/sleep vacation, but the one I'm going to get is only going to be 3-1/2 days. I'll make do.

Memoirs

Not to be silly, but what does 'close reading' mean as opposed to 'regular-ass' reading? I have a weak stomach so parts Angelou were hard for me to get through to say nothing of the book, the writing, or its power. I'd be very curious to read your review of that book.

This isn't necessarily a recommendation but look into Speak, Memory by Nabokov as well if you are looking for out-of-the-ordinary memoirs; it has it's strong points and is more than an amazing title.

"Close" reading

Chad, maybe you're a better all-around reader than I am, but I don't concentrate equally on everything I read. A "close" reading to me means really analyzing a book to pieces, being always very aware of structure, word choice, etc., and not allowing myself to relax and get lost in the story. I'm trying to read from a writer's perspective, rather than a reader's.

I'm surprised that you disliked Angelou's memoir so much; I thought it was pretty universally acclaimed. Other works of hers, especially her poetry, I've heard heavily criticized, but not this one.

I have Speak, Memory around here somewhere (you're shocked, I know), so I'll pull that one out and give it a read as well as part of my project. Thanks for the recommendation.

No Dislike

I think I understand what you mean by 'close reading' now. Generally speaking I'm terrible at that, unless it's something I really don't like.

I didn't dislike Angelou at all. It had rough spots to read but that is just the subject matter that was her life. I love the narrative feel on the book as opposed to most memoirs that feel like litany of facts: "When I was 18, I went to Penn to study basket weaving..." It's a great book. I'm trying not to give anything away if you haven't gotten through it yet, but there certainly were hard spots for me to read through. (I'm a self admitted wuss.)

Great Opening Sentence

Chad;

Now I want to start a short story with the sentence, "When I was 18 I went to Penn to study basket weaving."

Marion

Go for it!

I just want a mention for the title.

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